Objects
Ensemble
"Artists now work with what is called conceptual methods and supposedly don’t use objects. But you can’t not use objects. A TV monitor is an object, a wall with a projection on it is the wall with a projection on it—it’s very much an object. I still see the stretched canvas, and I like seeing the stretched canvas. I don’t see the painting in perspective; I don’t believe that it looks like reality, that its perspective copies nature. I don’t believe that it’s removed nature; I think it is paint on canvas with a certain trick called perspective that is just a little trick." [full text [here](http://ensembles.mhka.be/items/3194)]
Items
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Familial (overcoat)
Jimmie Durham, Familial (overcoat), 2007. Mixed Media, mixed media sculpture with overcoat and sound: low frequency, 60 x 90 x 80 cm.
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Black Walnut
Jimmie Durham, Black Walnut, 2003. Assemblage, paper, text, black walnut wood, walnuts, variable dimensions.
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S'Leave
Jimmie Durham, S'Leave, 2007. Mixed Media, mixed media sculpture and sound: lonesome day, 189 x 80 x 100 cm.
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Parecem dramáticos...
Jimmie Durham, Parecem dramáticos..., 1995. Sculpture, wood, paper, iron, 28 x 23 x 34 cm.
Actors
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Maria Thereza Alves
Maria Thereza Alves was born in Brazil and moved to New York at a young age. She has worked for the International Indian Treaty Council in Ne
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Jimmie Durham
Jimmie Durham was born in 1940 in (or, as he himself says, ‘under’) the state of Arkansas in the US, into a Cherokee family. After working di
Ensembles
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Jimmie Durham 1994 - 2012
Jimmie Durham moved to Europe in 1994 and has lived ever since in Brussels, Lisbon, Marseille, Rome and Berlin, where he is presently based (
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Jimmie Durham 1980 - 1993
In the period between 1973 and 1979 Jimmie Durham was full-time involved with the American Indian Movement and did not make art. He was the d
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Jimmie Durham 1964 - 1972
Jimmie Durham was born in Arkansas, U.S., and became involved with art and theatre in the 1960‘s. He has lived in Houston, Texas, where toget
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Performance, Video and Se...
"In general, there’s not much place for performance now. It looks like the sixties too much, it feels like the sixties did, it feels like it’