MONOCULTURE – Authenticité

Ensemble

Authenticité (Authenticity) was a radical version of Afrocentrism introduced in the late 1960s and early 1970s by Mobutu Sese Seko as an official state ideology of the Republic of Congo-Léopoldville, later renamed Zaire. The Authenticité policy implied numerous changes to state and to private life, and aimed to eliminate the influences of Western colonial culture in order to create a more centralised and singular national identity. This included the renaming of the country and its cities, as well as an eventual abolition of Christian names for more ‘authentic’ ones. In addition, the campaign banned Western-style clothing in favour of a tunic labelled the ‘abacost’ and its female equivalent. The policy had mostly been abandoned by the end of 1990s with the death of Mobutu, who had served as President of Congo/Zaire from 1965 to 1997.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.