SUPERDEMOCATIE / SUPERDEMOKRATIE / SUPERDEMOCRACY
Ensemble
The voices of citizens are heard louder than ever in parliaments all over the world, while the diversity of who and what these institutions represent - people and things - is growing.
Social media now generate more regular interaction between citizens and their representatives, while many initiatives bring them together through all kinds of interest or action groups, whose objective is to broaden the decision-making base. Interaction and dialogue slowly come (back) to the centre of the decision-making process. Representative democracy is gradually transformed into a "deliberative democracy".
On top of that, what the parliament represents is also undergoing profound changes. It no longer merely represents an increasingly diverse "people", but also many "non-human" components of the world that also demand its attention. Animal rights, heritage conservation, technological development, energy use, and environmental protection are hot topics. It is increasingly evident that in order to survive, humans can no longer regard animals and "things" as just "possessions" or "at their service," but must instead see them as an integral part of the world, telling us something essential about this world and actual actors in the world. This is why, paraphrasing sociologist Bruno Latour, we are talking about the "Senate of Things".
By observing the increasingly turbulent and complex functioning of the political process, this exhibition is launching the concept of SUPERDEMOCRACY. Just as origin no longer suffices to explain the increasing diversity of our society, it is no longer suitable to reduce contemporary democracy to the voting booth and the hemicycle.
The SUPERDEMOCRACY exhibition highlights the concept of "con-certation". That it takes place in the Belgian Senate is no coincidence: as an assembly of federated entities, the Senate is the place of reflection and dialogue between communities on "cross-cutting issues". It is precisely on these subjects that three cultural institutions, BPS22 in Charleroi, BOZAR in Brussels and the M HKA in Antwerp, establish dialogue with the parliament.
The exhibition proposes a focus on fifteen topics in as many Senate halls. For each one, an artist of the Wallonia-Brussels Federation and one of the Flemish Community will be teamed with a third artist, from another Community.
Combinations of paintings, sculptures, photos, videos, installations, etc. of the BPS22 and M HKA collections propose a possible approach to the themes. Visitors are invited to discover the relations with the topics dealt with by the Senate, and between the works themselves, and to participate in the dialogue proposed.
This reflection continues throughout the month of October, during discussion and conference sessions organised by the three partners on these same issues.
Bart DE BAERE
Paul DUJARDIN
Pierre-Olivier ROLLIN
Items
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Anima Mundi (Bangkok)
Marina Abramović & Ulay, Anima Mundi (Bangkok), 1983. Photography, 2 x (180 x 120 cm).
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Change
Koka Ramishvili, Change, 2005. Video, dvd, 00:04:20 min.
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United Colors
Thierry Verbeke, United Colors, 2014. Other, textile, 225 x 150 cm.
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Biblimlen
Sasha Pirogova, Biblimlen, 2013. Video, hd video, sound, 00:10:00.
Actors
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Marthe Wéry
Marthe Wéry is undoubtedly one of the major Belgian artists of the second half of the 20th century. In 2001, following a retrospective at Boz
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Angel Vergara
Spanish artist Angel Vergara (°1958, Mieres, Spain) has lived in Brussels for more than thirty years. Over the years, he embraced the Belgian
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Charlotte Beaudry
Charlotte Beaudry has been driven by a strong desire to paint from early on. Her artistic career has followed an unusual path: as a self-taug
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Sheela Gowda
Sheela Gowda (°1957, Bhadravati, India) lives and works in Bangalore, India. Gowda is a trained painter, but has taken a sculptural path and
Ensembles
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MOBILITEIT / MOBILITE / M...
From a technocratic point of view, the term ‘mobility’ refers to road works, trucks, trains and airports. But mobility is also an existential
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TEKSTVERZORGING / TOILETT...
"Dura lex, sed lex", the law is hard, but it is the law. In a law, words appear in their most authoritarian and normative form. That is why i
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INVENTIO
Since the Renaissance, inventio(n) has been a key concept in Western art. The painter, sculptor, architect, once a craftsman, became a "free
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ECONOMIE / ECONOMY / WIRT...
Interpersonal exchanges, whatever their form, have constantly shaped civilisations; economic exchanges often being predominant. Yet individua
