SUPERDEMOCATIE / SUPERDEMOKRATIE / SUPERDEMOCRACY
Ensemble
The voices of citizens are heard louder than ever in parliaments all over the world, while the diversity of who and what these institutions represent - people and things - is growing.
Social media now generate more regular interaction between citizens and their representatives, while many initiatives bring them together through all kinds of interest or action groups, whose objective is to broaden the decision-making base. Interaction and dialogue slowly come (back) to the centre of the decision-making process. Representative democracy is gradually transformed into a "deliberative democracy".
On top of that, what the parliament represents is also undergoing profound changes. It no longer merely represents an increasingly diverse "people", but also many "non-human" components of the world that also demand its attention. Animal rights, heritage conservation, technological development, energy use, and environmental protection are hot topics. It is increasingly evident that in order to survive, humans can no longer regard animals and "things" as just "possessions" or "at their service," but must instead see them as an integral part of the world, telling us something essential about this world and actual actors in the world. This is why, paraphrasing sociologist Bruno Latour, we are talking about the "Senate of Things".
By observing the increasingly turbulent and complex functioning of the political process, this exhibition is launching the concept of SUPERDEMOCRACY. Just as origin no longer suffices to explain the increasing diversity of our society, it is no longer suitable to reduce contemporary democracy to the voting booth and the hemicycle.
The SUPERDEMOCRACY exhibition highlights the concept of "con-certation". That it takes place in the Belgian Senate is no coincidence: as an assembly of federated entities, the Senate is the place of reflection and dialogue between communities on "cross-cutting issues". It is precisely on these subjects that three cultural institutions, BPS22 in Charleroi, BOZAR in Brussels and the M HKA in Antwerp, establish dialogue with the parliament.
The exhibition proposes a focus on fifteen topics in as many Senate halls. For each one, an artist of the Wallonia-Brussels Federation and one of the Flemish Community will be teamed with a third artist, from another Community.
Combinations of paintings, sculptures, photos, videos, installations, etc. of the BPS22 and M HKA collections propose a possible approach to the themes. Visitors are invited to discover the relations with the topics dealt with by the Senate, and between the works themselves, and to participate in the dialogue proposed.
This reflection continues throughout the month of October, during discussion and conference sessions organised by the three partners on these same issues.
Bart DE BAERE
Paul DUJARDIN
Pierre-Olivier ROLLIN
Items
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Chaise découpée [Cut-Up C...
Jacques Lizène, Chaise découpée [Cut-Up Chair], 1964-2008. Sculpture, wood, canvas, 83 x 40 x 35 cm.
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Ladyboy - Curleyman I
Jan Van Imschoot, Ladyboy - Curleyman I, 2007. Painting, 190 x 170 x 3 cm.
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Anima Mundi (Bangkok)
Marina Abramović & Ulay, Anima Mundi (Bangkok), 1983. Photography, 2 x (180 x 120 cm).
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Nursing Activities, Direc...
Anne-Mie Van Kerckhoven / AMVK, Nursing Activities, Direct (Verpulveren) [Nursing Activities, Direct (Pulverizing)], 1995-1998. Installation, videoband vhs, hout, metaal, 190,5 x 529 x 75 cm (geheel), 2 x 1 m (platen).
Actors
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Koka Ramishvili
Koka (Akaki) Ramishvili (°1956) lives and works in Geneva. He is one of the many Georgian artists whose work has been strongly influenced by
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Michael Van den Abeele
Michael Van den Abeele (°1974, Brussels, Belgium) makes drawings, photographs, installations, sculptures and videos. Space, territory and ima
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Véronique Vercheval
News photographer, professor, activist and feminist, Véronique Vercheval is, by her own admission, a perfect blend of her parents, Jeanne Ver
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Jacques Charlier
A funny, unclassifiable artist, who refuses to see art as something (too) serious, Jacques Charlier defines himself as an eclectic radical. A
Ensembles
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ECONOMIE / ECONOMY / WIRT...
Interpersonal exchanges, whatever their form, have constantly shaped civilisations; economic exchanges often being predominant. Yet individua
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DIVERSITAS IV
A community, whether country, city or enterprise, is often perceived and presented to the outside world as a univocal and coherent whole. Uni
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SOLIDARITEIT / SOLIDARITE...
‘Solidare’ - solid, dense, hard, strong and, in the transitive sense, ‘to form a whole’, ‘to unite’, is the origin and the meaning of the ter
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DIVERSITAS I
Civilisations don’t appear out of nowhere and never reach a point of completion. They are created, grow and are renewed through cultural exch
