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Taus Makhacheva, Way of an Object, 2013. Sculpture, theatre with three objects-turned-puppets, a kubachi marriage bracelet, a carved wooden saltbox and a painting by russia’s viktor vasnetsov of a prophet bird.
Janek Simon, Man with the Head of Dog 1-5, 2015. Sculpture, 3d print, pla polymer, 47 x 17 x 15 cm (each).
Ives Maes, Soviet Stereographs, 2015. Mixed Media, inkjet prints, lightjet prints, oak frames, stereoscope viewers, 300 x 1060 x 60 cm.
Lee Bul, Aubade IV, 2015. Installation, stainless-steel structure, acrylic, polycarbonate sheet, glass paint, led lights, electrical wiring, fog machine, Variable dimensions.
Evgeny Antufiev, Untitled, 2015. Sculpture.
Evgeny Antufiev, Untitled, 2015. Sculpture, fabric, wolf tooth, 40 x 19 x 11 cm.
Michèle Matyn , Made Mayrem, 2015. Installation, willow stick, tree trunk, fabric, beeswax, pigment, digital print on baryt , Variable dimensions.
Babi Badalov, I am Euromental, 2015. Installation, 27 sheets, ink on cotton, variable dimensions.
Femmy Otten, Untitled, 2016. Other, oil, limewood, 27 x 35 x 18.5 cm.
Femmy Otten, Ontklede dagen (Days Undressed), 2016. Sculpture, wood, 98 x 33 cm.
Damian Le Bas, Roma Armee Fraktion Mr Brexit Missed Exit, 2017. Collage, pen, stickers, collage on printed map, 92 x 61 cm.
HAEGUE YANG , A Chronology of Conflated Dispersion – Duras and Yun, 2018. Artist Novel, subjectively edited biography of two historical figures.
Qiu Zhijie, Map of China-Arab Relations, 2019. Collage, ink on paper, 370 × 880 cm.
Janek Simon, Synthetic Folklore v0.1.1, v0.1.2, v0.1.3, 2019. Mixed Media, mosaic, acrylic glass, 3 x (140 x 100 x 2).
Zheng Mahler , The Master Algorithm, 2019. Installation, hologram installation, 200 x 200 x 40 cm.
Etel Adnan, Les oliviers III, 2019. Drawing, pencil and ink on booklet, 18 x 12 cm .
Femmy Otten, Untitled, 2020. Sculpture, plaster, acrylic paint, pencil, 34 x 37 x 4 cm.
HAEGUE YANG , Sonic Intermediates, 2020. Installation, powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, red brass plated bells, metal rings, plastic twine, broom, Variable dimensions.
Lin May Saeed, Hawr al-Hammar/Hammar Marshes, 2020. Installation, cardboard, transparent paper, wood, fluorescent lights, 260 x 508 x 50 cm.
Lin May Saeed, Pangolin, 2020. Installation, styrofoam, steel, plaster, acrylic paint, wood, 134 x 107 x 38 cm.
Metahaven , DVD Zone 5, 2020. Mixed Media, jacquard weaving, wool and lurex, 245 x 150 x 0.5 cm.
Sara van der Heide, Four Months, Four Million Light Years, 2020. Installation, film installation, watercolours, paper- and textile banners, Variable dimensions.
HAEGUE YANG , A Chronology of Conflated Dispersion – Duras and Orwell, 2021. Text, subjectively edited biography of two historical figures.
Pejvak , Unfortunately, It Is Not Open to Public, 2021. Installation, steel, clothing, screens, short wave radio receiver, wood, wire, Variable dimensions.
Pedro G. Romero, Las pantallas (Eqqus Ferus Caballus), 2021. Installation, video installation, printed screens and two-channel video, 01:30:00.
Ieva Rojūtė , Gentle Word (Švelnus Žodelis), 2021. Collage, sticky foil, water based paint, sticky paper, Variable dimensions.
Femmy Otten, Rainbow Circle III, 2021. Other, burl wood, tempera on the wall, Variable size (250 x 600 cm).
Metahaven , Eurasia (Questions on Happiness), 2021. Installation, video, video wall, sound, wool, cotton, wood, 275 × 600 × 200 cm; 70'.